This sequence, inspired by AES papers on statistical models to predict listener preference by Sean E. Olive, Todd Welti, and Omid Khonsaripour of Harman International, applies the Harman target curve for in-ear, on-ear and over-ear headphones to a measurement made in SoundCheck to yield the predicted user preference for the device under test. The measurements are made in SoundCheck and then saved to an Excel template which performs the necessary calculations to produce a Predicted Preference score using a scale of 0 to 100. The spreadsheet calculates an Error curve which is derived from subtracting the target curve from an average of the headphone left/right response. The standard deviation, slope and average of the Error curve are calculated and used to calculate the predicted preference score. The sequence also provides the option to recall data rather than making a measurement, which saves time for engineers who already have large quantities of saved data, and enables historical comparison with obsolete products.
This sequence measures the Max SPL of a transducer versus frequency that a device can play back with acceptable distortion. It is particularly valuable for designers using DSP algorithms to optimize the performance of their speakers.
It characterizes the Max SPL of a transducer by setting limits on specific metrics (THD, Rub & Buzz, Perceptual Rub & Buzz, Input Voltage and Compression) and then driving the transducer at a series of standard ISO frequencies, increasing the stimulus level until the one of the limits is surpassed. The sequence begins by measuring the frequency response and impedance of the DUT. The user is asked if they wish to use the -3dB from resonance frequency as the test Start Frequency or manually enter another value. The user is then prompted to enter a Stop Frequency, initial test level and limit values for the metrics of interest. The sequence then plays the stimulus Start Frequency in a loop, increasing the level +3dB with each loop iteration until one of the limits is exceeded. The stimulus level is then adjusted -3dB and the sequence continues to a second loop which increases the stimulus level +0.5 dB with each loop iteration until the limit is exceeded. At this point, the limit results are saved to an Excel file, the stimulus frequency is incremented by a constant multiplication step and the process is repeated until the Stop Frequency is achieved. Every time the main loop is completed, the individual SPL and Stimulus Level x-y pairs are concatenated to master curves. At the end of the sequence, the Max SPL and Stimulus Level curves are autosaved in .dat format.
This sequence demonstrates a method by which SoundCheck can measure the performance of a microphone embedded in a so-called “smart speaker”. This example assumes that the DUT is an Amazon Echo but it can be adapted for use with virtually any other type of smart speaker by substituting the Echo’s voice activation phrase WAV file (“Alexa”) with one specific to the desired make and model.
The sequence begins by playing a voice activation phrase out of a source speaker, prompting the DUT to record both the voice command and the ensuing stepped sine sweep stimulus. A message step then prompts the operator to retrieve this recording from the DUT’s cloud storage system. This is accomplished by playing back the recording from the cloud and capturing it with a Triggered Record step in the SoundCheck test sequence. The Recorded Time Waveform is then windowed (to remove the voice command) and frequency shifted prior to analysis and the result (Frequency Response) is shown on the final display step.
This sequence demonstrates a method by which SoundCheck can measure the performance of a loudspeaker embedded in a so-called “smart speaker”. This example assumes that the DUT is an Amazon Echo but it can be adapted for use with virtually any other type of smart speaker by substituting the Echo’s voice activation phrase audio file (“Alexa, play Test Signal One”) with one specific to the desired make and model.
The sequence begins by playing the voice activation phrase out of a source speaker, prompting the DUT to playback the mp3 stimulus file from the cloud, followed by a pause step to account for any activation latency. Following the pause, a triggered record step is used to capture the playback from the DUT. The Recorded Time Waveform is then frequency shifted prior to analysis and the results (Frequency Response, THD and Perceptual Rub & Buzz) are shown on the final display step.
We recommend reading our AES paper on this subject prior to continuing as it contains additional details on the test methods devised for this sequence.
This SoundCheck ONE template sequence contains all the essential steps for basic headphone measurements using SoundCheck ONE and AudioConnectTM. The sequence can be easily customized and saved for specific products by turning individual measurements on and off, and by adjusting settings within each sequence step such as stimulus range and level, tolerance limits, graphical displays, and data saving.
Please note that sequences in SoundCheck ONE cannot have steps added/removed or the layout modified – the full version of SoundCheck is required for this capability.
IEC-60268-7: Sound System Equipment – Part 7: Headphones and Earphones is an international standard intended to characterize the performance of headphones and earphones. The standard itself is a lengthy document, 9 Sections and 3 Annexes covering 46 printed pages. These SoundCheck sequences focus on the electro-acoustic tests which are detailed in Section 8 “Characteristics to be specified and their method of measurement”.
Five separate sequences are provided, each designed to measure specific characteristics. This approach provides the user with the flexibility to measure all or some of the characteristics of their headphone.
Expand the capabilities of your test sequences by learning how to implement advanced functions such as conditional branching, looping, and sub-sequencing. Presented by Brian Fallon, Listen, Inc. Status: Recorded. Watch Webinar
Master the basics of developing sequences, including sequence editor usage, step layouts, and best practices. Presented by Brian Fallon, Listen, Inc. Status: Recorded. Watch Webinar